| There’s a destination a little up the road |
| From the habitations and the towns we know |
| A place we saw the lights turned low |
| With the jig-saw jazz and the get-fresh flow |
| Pulling out jives and jamboree handouts |
| Two turntables and a microphone |
| Bottles and cans just clap your hands just clap your hands |
| Where it’s at I got two turntables and a microphone |
| Where it’s at Take me home in my elevator bones |
| Pick yourself up off the side of the road |
| With your elevator bones and your whip-flash tones |
| Members only hyponotizers |
| Move through the womb like ambulance drivers |
| Shine your shoes with your microphone blues |
| Here-suits with your parachute fruits |
| Passing the dutchie from coast to coast |
| Let the man get loose while I rock the most |
| Where it’s at I got two turntables and a microphone |
| What about those who swing both ways? AC-DC's? |
| Two turntables and a microphone |
| Where it’s at! |
| I got two turntables and a microphone |
| Oh, dear me. Making slaves at Two-horse town |
| That’s beautiful, Dad |
| Get my microphone |
| There’s a destination a little up the road |
| From the habitations and the towns we know |
| A place we saw the lights turn low |
| With the jig-saw jazz and the get-fresh flow |
| Pulling out jives and jamboree handouts |
| Two turntables and a microphone |
| Bottles and cans just clap your hands just clap your hands |
| Where it’s at I got two turntables and a microphone |
| Where it’s at I got two turntables and a microphone |
| I got plastic on my mind |