| Oh my gosh, what a coincidence!
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| (Oh my gosh, what a coincidence!)
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| This happens to be in style
|
| (This happens to be in style)
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| Well, the most important things in my life are succeeding and making my goals,
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| and my goals are, um, I’d like to get a swimming scholarship to a college,
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| and I’d like to, um, I’d like to become a lawyer when I grow up, you know.
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| And I’d like to go to, um, college, probably at UCLA, because I hear they have
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| nice weather, good-looking guys there. |
| Oh, what a party place. |
| And, you know,
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| it’s not too bad of a school either. |
| And, um, let’s see? |
| I’d like to have,
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| in high school, you know, I’d like to make a lot of friends, have a nice time
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| with them, and I’d like to get a few boyfriends, and have a nice time with them,
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| and um, let’s see, what else? |
| Uh, I’d like to go to a lot of parties,
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| have a good time, and I wanna, when I grow up, um, I wanna get a white Rabbit
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| convertible and live in a nice place and have a dog named Gidget who would
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| never leave me. |
| And, um, I’d like to work in a nice building out in town with a
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| bunch of good-looking guys working in there, ha ha, we’re gonna have a nice
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| time and, you know, take my friends out to lunch, and buy my parents nice
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| things, and be a happy person. |
| And the most important thing in my life is to go
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| to heaven when I die
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| (I think that’s it)
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| That was exciting because it was so foreign to the adults
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| (allowed to be on the air this long?)
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| Oh, I mean, they were so turned off to that music, including myself
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| (Now they said before, give 'em another brand and they’d be)
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| We’ve been listening to you and you’ve been telling us you have identity
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| problems
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| (Give 'em credit for having that much sense)
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| When I first played it, I said, is this for real?
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| (Dead music)
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| Is this for real?
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| (The footage back from)
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| You told us that your competitor’s jingles sound like yours
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| You’ve been telling us that you need to increase flow out of stop sets
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| The jingle shouldn’t hang up the flow at the most crucial time
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| The time when you need to get from the commercial break back into music
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| You’ve been telling us that you need a new way of handling promo lines
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| One of the guys who was on before me says, Casey, he says, you know,
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| nobody’s going to listen to you. |
| What’s happening is this new music, that,
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| maybe I should listen more closely? |
| And I did, and I learned to dance to it,
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| and then it was over, I was, I was sucked in
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| Mark, what do you listen to?
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| (Stupid, stupid!) |